By Lucrezia Marinella,Maria Galli Stampino
Lucrezia Marinella (1571–1653) is, by way of all money owed, a phenomenon in early modernity: a girl who wrote and released in lots of genres, whose repute shone brightly inside of and out of doors her local Venice, and whose voice is concurrently unique and reflective of her time and tradition. In Enrico; or, Byzantium Conquered, the most bold and worthwhile of her a variety of narrative works, Marinella demonstrates her ability as an epic poet.
Now on hand for the 1st time in English translation, Enrico retells the tale of the conquest of Byzantium within the Fourth campaign (1202–04). Marinella intersperses historic occasions in her account of the invasion with a variety of invented episodes, drawing at the wealthy innovative legacy of the chivalric romance. Fast-moving, colourful, and narrated with the zest that characterizes Marinella’s different works, this poem is a brilliant instance of a lady enticing severely with a quintessentially masculine shape and subject material, writing in a style during which the paintings of ladies poets used to be ordinarily shunned.
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